November 23, 2011 Leave a comment
BY NATHAN CRANFORD
This weekend at the San Francisco Symphony, Michael Tilson Thomas, along with famed violinist Gil Shaham, will be leading the orchestra in another performance of the works of 19th Century German composer Johannes Brahms. However, whereas last week’s program was a comparative study of progression in German musical conservatism, this week’s program showcases the contentious battle between conservative and progressive elements in the music of German Romanticism.
The evening begins with a work by the great German operatic composer Richard Wagner, the “Prelude” to Act III of his famed opera Lohengrin. Familiarity with the opera’s plot is not necessary for an appreciation of the work, which is often performed alone in concert due to its highly exciting and virtuoistic writing for orchestra.
Less than 5 minutes in length, many listeners will find the melodies showcased by the “Prelude” (which are repeated throughout the opera) to be immediately recognizable. Although it’s not being performed by the Symphony this weekend, the end of the “Prelude” flows seamlessly into the even more famous “Bridal Chorus”–a piece of music that has become associated with the bride walking down the aisle at weddings throughout the world.